Tool: Machine Tool

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Two years after putting a Parisian Accor Arena on his knees, Tool and her protean metal came to recall what dangerous repeat offenders they were.

It is of public notoriety: it is not a question of being in a hurry so that the Californians of Tool Make their inspiration in studio, the latest album, Fear inoculum (2019), having been gave birth to thirteen years after his predecessor, 10,000 days. Fortunately for those who do not hide a form of veneration towards it, the quartet has decided to be more generous in the frequency of its visits in France (three times in five years). As always, and to better encourage mobile phones to be left to the bottom of the pockets to the recall, it is a trip that is offered to us from the start by Maynard Keenan, the voice of a group whose musical cohesion, behind the power of sound, never ceases to bluff.

This one will be total, bewitching, sometimes trying, between battery roller compressor when it is not supplemented by vintage sequencers and synthesizers, martial bass and sharp guitar, while, on his platform, Keenan turns like a lion in cage, ready to jump on his prey so as not to let go. In this maze of video animations combining psychedelic swallowing, lava flows, funds, extraterrestrial silhouettes (at least the representation that we want to make it) Mortuary masks, skulls and crushed bodies, the victim – sorry, the spectator – has no choice but to be consenting. And to ask for more.

Find this live report on Tool In our weekly n ° 162, available via our online store.

Setlist:
  1. Hazard
  2. Fear inoculum
  3. Rosetta Stoned
  4. Pneuma
  5. Intolerance
  6. Descending
  7. The Grudge
  8. Chocolate Chip Trip
  9. Flood
  10. Invincible
  11. Stinkfist
Staff

Written by

Christopher Johnson

Christopher Johnson is a dedicated writer and key contributor to the WECB website, Emerson College's student-run radio station. Passionate about music, radio communication, and journalism, Christopher pursues his craft with a blend of meticulous research and creative flair. His writings on the site cover an array of subjects, from music reviews and artist interviews to event updates and industry news. As an active member of the Emerson College community, Christopher is not only a writer but also an advocate for student involvement, using his work to foster increased engagement and enthusiasm within the school's radio and broadcasting culture. Through his consistent and high-quality outputs, Christopher Johnson helps shape the voice and identity of WECB, truly embodying its motto of being an inclusive, diverse, and enthusiastic music community.