Tony Effe takes Italian lessons “I want to improve”

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Tony Effe takes Italian lessons “I want to improve”

In a few weeks we will see him for the first time on the Ariston stage with the song Damme 'na hand, in the meantime Tony Effe has released an interesting interview with Corriere della Sera, in which what, who has always followed him has already emerged He knows, that is, that it is not a bad example as they have wanted to paint it in recent months.

Tony Effe cried after the controversy has exploded against his participation in the New Year in Rome. “I organize a concert at the Palaeur, but it happens that one day collapse. I was moving, my mother was to help me with the boxes, and I start crying. I was a bit ashamed, but I was exploding: certain accusations made me really bad“, He said.

In the interview he also spoke of his childhood, the relationship with his grandmother, his passion for jewels, DPG and school. Tony Effe reads books and takes Italian lessons.

Once a week I do Italian. Analysis of texts. In the last lesson we read and analyzed a poem by Umberto Saba where he, Saba, impersonates the city with a blond birds, a little what I tried to do with Rome in Damme 'na hand, the song for Sanremo. I take lessons because I feel I have a lot to learn. I want to improve myself“.

Staff

Written by

Christopher Johnson

Christopher Johnson is a dedicated writer and key contributor to the WECB website, Emerson College's student-run radio station. Passionate about music, radio communication, and journalism, Christopher pursues his craft with a blend of meticulous research and creative flair. His writings on the site cover an array of subjects, from music reviews and artist interviews to event updates and industry news. As an active member of the Emerson College community, Christopher is not only a writer but also an advocate for student involvement, using his work to foster increased engagement and enthusiasm within the school's radio and broadcasting culture. Through his consistent and high-quality outputs, Christopher Johnson helps shape the voice and identity of WECB, truly embodying its motto of being an inclusive, diverse, and enthusiastic music community.