Review: MERCURY REV – “Born Horses”

Reviews

The opening track of this “Born Horses” is enough to immerse yourself in the new dream of Mercury Rev, yet another sonic, sensorial and spiritual experience.

The over seven minutes of Mood Swingswith a trumpet that evokes bohemian mariachis and the windswept terrain of the desert prairie, showcase all the sonic virtues of a continuous, sparkling psych-jazz-folk-baroque-ambient research, which highlights the group's sophisticated instrumentation, while offering a new poetic perspective.

A rich, careful, meticulous sound, somewhere between organic and electronic. Guitars, keyboards, brass, strings, winds, drums, and the enchanted voice that draws from streams of consciousness that equally stir and flow. A dense, cinematic, orchestra-based mixture, mixed with ambient sounds and colored by spoken and whispered voices.

When Jonathan and I (Grasshopper) first met, one thing that bonded us was Blade Runnerboth Ridley Scott's film and Vangelis' soundtrack: that feeling of past and future, the eerie noir atmosphere and the romanticism of the future… Born Horses draws on some of all of this.
Thinking back to childhood, to Broadway tunes, to lonely blues, to Chet Baker, to Sketches of Spain from Miles Davis to the records our parents listened to, we have given a twist to the future.

From the beginning, Mercury Rev were on a ridge, between analog and digital, hi-fi and lo-fi at the same time. It was like Brecht or Weill: words suggested images and images suggested moods.

We also thought a lot about the desert on this record, and the urban desert.

And it is precisely these suspended, romantic and noir atmospheres, between digital and lo-fi, between shoegaze and magical realism, that can be perceived in all eight tracks on the album.
It's hard to pick a favorite: each has its own dreamlike pearl inside, where Jonathan Donahue narrates, rather than sings, the songs.

Lyrically, it's a dark, torn record, full of loss – loss of something important – but at the same time it becomes a therapeutic journey of exploration, in an attempt to understand the ever-changing states of mind.

An album that, every time you listen to it, convinces you more and more. An album to love and cherish.
Once again, Mercury manages to shape dreams!

MUST LISTEN NOW

Mood Swings – Born Horses – Everything I Thought I Had Lost

MUST SKIPP NOW

A dreamlike journey to be experienced in its complexity without skipping anything!

SCORE: 8,50

1. Mood Swings – rating 8.50
2. Ancient Love – rating 8.00
3. Your Hammer, My Heart – rating 8.00
4. Patterns – rating 8.00
5.A Bird Of No Address – rating 7.50
6. Born Horses – rating 8.00
7. Everything I Thought I Had Lost – rating 8.50
8. There's Always Been A Bird In Me – rating 7.50

TRACKLIST

Staff

Written by

Christopher Johnson

Christopher Johnson is a dedicated writer and key contributor to the WECB website, Emerson College's student-run radio station. Passionate about music, radio communication, and journalism, Christopher pursues his craft with a blend of meticulous research and creative flair. His writings on the site cover an array of subjects, from music reviews and artist interviews to event updates and industry news. As an active member of the Emerson College community, Christopher is not only a writer but also an advocate for student involvement, using his work to foster increased engagement and enthusiasm within the school's radio and broadcasting culture. Through his consistent and high-quality outputs, Christopher Johnson helps shape the voice and identity of WECB, truly embodying its motto of being an inclusive, diverse, and enthusiastic music community.