Northern League senator proposes the Daspo for artists who carry out political propaganda on the stage of the Sanremo Festival

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Northern League senator proposes the Daspo for artists who carry out political propaganda on the stage of the Sanremo Festival

Controversy and criticism continue over the phrase uttered by Ghali on the Ariston stage, where he simply said “stop the genocide”.

After the Rai statement sent live to Domenica In and read to Mara Venier and after the declarations of Dargen D’Amico, who again on Domenica In, after having said “at this moment there is something that isn’t working in the instinct of ‘human being, because if you don’t protect children nothing will work’, he was interrupted, the Daspo proposal arrives.

The senator of the League and Undersecretary to the Presidency of the Council, Alessandro Morelli, proposed the Daspo for all artists who carry out political propaganda on the stage of the Sanremo Festival.

In an interview with Libero, the senator declared “that is the Italian Song Festival and it is shameful that it is used and exploited by those who should only sing and instead do something else: they make political propaganda. Artists should come on stage, give their good performance and leave.

It would be useful, at this point, to think of a sort of Daspo for those who use that stage for purposes other than those of music.

An artist there makes music, not politics”.

Staff

Written by

Christopher Johnson

Christopher Johnson is a dedicated writer and key contributor to the WECB website, Emerson College's student-run radio station. Passionate about music, radio communication, and journalism, Christopher pursues his craft with a blend of meticulous research and creative flair. His writings on the site cover an array of subjects, from music reviews and artist interviews to event updates and industry news. As an active member of the Emerson College community, Christopher is not only a writer but also an advocate for student involvement, using his work to foster increased engagement and enthusiasm within the school's radio and broadcasting culture. Through his consistent and high-quality outputs, Christopher Johnson helps shape the voice and identity of WECB, truly embodying its motto of being an inclusive, diverse, and enthusiastic music community.