Neither Quevedo nor Myke Towers: this is the urban singer who puts the tune to David Broncano's 'La Revuelta'

Music news

  • Who is going to La Revuelta today, Thursday? This could be the guest with whom David Broncano regains the lead

What a start to the season he's had! The Revolt! David Broncano's new program on La 1 of Spanish Television could not have started on a better footing this week. Last Monday, September 9, with Aitor Francesena As the first guest, he was already very well received by the audience.so continuing to gather more people in front of the television was a matter of time, as anticipated Najwa Nimri in the second installment. “You're this close to sweeping him away,” he said, referring to the gossip and expectations that had been imposed especially on social networks for dethroning The Anthill as the most watched program.

With the actress of Face to face and Breathethe share data exceeded the talk show Pablo Motos for the first time in four years; and with the visit of Juan Luis Arsuaga and Juan José Millás, 'La nueva Resistencia' consolidated its leadership over its direct competitor, which regained power in the time slot (access prime time) on Thursday with the interview with the star of FC Barcelona and the Spanish national football team, Lamine Yamal —in front of Raúl Cimas—.

As if this were not enough, throughout this week we have also been getting to know the collaborators of this new television venture, discovering new faces (Valeria Ros and Lala Chus) and discarding others who stayed in the Movistar+ stage.

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Likewise, the new set, located in the Teatro Príncipe Gran Vía itself, has also come with other new features. Among them, the main tune. It should be noted that the melody has not been created for The Revolt per se, but it is a topic that has been ceded by a very well-known artist in our countryespecially among younger generations who listen to trap and are aware of the latest trends within the international urban scene.

The song is none other than No Cap from the Argentine Thunder. The song is included in his latest album The Last Dancewhich was released last May. “No Cap It would cover the period of the 2000s, paying homage to those artists and producers who marked me, and with whom I grew up, the main reference being Dr. Dre and the rap of those years onwards,” explained the singer on the occasion of his collaboration with the COLORS platform.

No cap, real facts

Smoke weed, hip-hop and fuck it up, huh (yes, sir)

Going around the city (ha, ha, yeah, yeah)

La-la-la-la, la-la-la-la (huh)

Shake that, shake that, ready for late night

This will be playin' in the hood all day, right?

We arrived fast, but not furious, I'm very high

Living a movie like Eminem in 8 Mile

I break the stage until six o'clock

Not like these guys who get up to do playback

Artists get wet: Go as a guest to The Revolt oa The Anthill?

On the last red carpet that the WECB editorial team attended a few days ago, we wanted to put some of the artists who attended the Vogue Fashion Night Out event in the capital in a difficult position. We asked them if, in case they were invited to The Anthill already The Revolt the same day, what program would they attend? And they left us answers of all kinds:

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Written by

Christopher Johnson

Christopher Johnson is a dedicated writer and key contributor to the WECB website, Emerson College's student-run radio station. Passionate about music, radio communication, and journalism, Christopher pursues his craft with a blend of meticulous research and creative flair. His writings on the site cover an array of subjects, from music reviews and artist interviews to event updates and industry news. As an active member of the Emerson College community, Christopher is not only a writer but also an advocate for student involvement, using his work to foster increased engagement and enthusiasm within the school's radio and broadcasting culture. Through his consistent and high-quality outputs, Christopher Johnson helps shape the voice and identity of WECB, truly embodying its motto of being an inclusive, diverse, and enthusiastic music community.