MORGAN PANELLA’s EP entitled “SI, CERTO L’AMORE” is released. The 8-track album includes the single Yes, of course love and the new unreleased one Not + You.
The piece is a series of compositions, variations and interludes between electronic and orchestral music on the main theme of Si, Certo l’Amore. More precisely: Radiophobic, Album version, Orchestra, Elastic Brass, New wave, Post atomic.
The Morgan/Panella project is very uniform, it is a continuous generation of songs like plants sprout from the ground, in a spontaneous and natural daily manner and with extreme ease.
This is undoubtedly due to the great musicality of Panella’s writing and also to my irrepressible dedication to the experiment, a practice that leads into unpredictable and unexplored territories, and which nourishes creativity in an extremely nourishing way, enthusing, rewarding, keeping the fire of creativity alive. artistic life.
This state of mind is called “inspiration” by many, but I prefer to give it a role reduced to normality because it is a regular and not intermittent condition. Conceiving the work of designing music in this way (in my case, but it applies to all intellectual disciplines) leads me to achieve what I really want and it doesn’t necessarily have to be something official or commissioned or obligatory. contractually, in fact it is the exact opposite, that is, what I do no one asked me to do and no one other than me predicted that it existed, and therefore no one expects anything from what they don’t even know exists.
The contraindication of this is that the public, not knowing, believes that I no longer compose original music and that I have even “lost the vein”, when in fact they have no idea of the fecundity that invests me from which flows a copiousness of truly irrepressibly accumulated objects in over fifteen years of musical craftsmanship carried out every day with regularity or rather workaholic self-sacrifice which made me dedicate more than ten hours to the painstaking production of original music that I have not published.
But the fact that it is not published for me does not mean that it does not exist for people, but it is a false belief also heavily supported by the wild public narrative of my discredit, a notorious and systematically terribly unpleasant thing that I have no intention of bringing up now. .
The work with Panella is therefore something that I wanted to publish or perhaps “I managed” to publish, because after all these years away from the market (and not from music, of course) my relationship with the music industry sector it was totally destroyed and so now I’m rebuilding it from scratch.
The EP will anticipate the release of the new album “…AND THEREFORE IN SOMMA OSSIA” (Incipit Records / Egea Music)
