Lana Del Rey covers a 98-year-old standard

Music news

Lana Del Rey took over “Blue Skies » by Irving Berlin for the soundtrack of « The New Look “.

Lana Del Rey resumes “ Blue Skies ”, a 98-year-old standard by songwriter Irving Berlin.

While Ella Fitzgerald made her voice quiver with a little hope during her performance and Willie Nelson launched into country funk with his, Lana Del Rey seems restrained and distant, as if the blue sky were that of a distant horizon. In the second verse, she sounds like a gust has propelled her into the atmosphere. This emotion works, since it is able to give the song a unique depth. The best moment of the recording is when she harmonizes with herself, like in the Andrews Sisters’ version. But like the sadness of summer, it doesn’t last, and the whole sound sublimates in the last minute.

The singer recorded this song for the soundtrack of the new Apple TV+ fashion series, The New Look, which stars Ben Mendelsohn as Christian Dior and Juliette Binoche as Coco Chanel. Del Rey’s friend and collaborator Jack Antonoff produced the soundtrack, which includes similar classics made modern by Florence Welch, The 1975, Nick Cave and Antonoff’s band Bleachers.

After working on “ Blue Skies » with Del Rey, Antonoff (who won the Grammy for Producer of the Year, Non-Classical) should consider going further in this direction. But that will have to wait, since Del Rey recently confirmed that she and Antonoff are planning a country music album, Lasso.

Staff

Written by

Christopher Johnson

Christopher Johnson is a dedicated writer and key contributor to the WECB website, Emerson College's student-run radio station. Passionate about music, radio communication, and journalism, Christopher pursues his craft with a blend of meticulous research and creative flair. His writings on the site cover an array of subjects, from music reviews and artist interviews to event updates and industry news. As an active member of the Emerson College community, Christopher is not only a writer but also an advocate for student involvement, using his work to foster increased engagement and enthusiasm within the school's radio and broadcasting culture. Through his consistent and high-quality outputs, Christopher Johnson helps shape the voice and identity of WECB, truly embodying its motto of being an inclusive, diverse, and enthusiastic music community.