Interview with Glory Hole

Interviews

Fragments of poetry, shouts and dance music from our journey through the world.

They say that reading music poetically means living it, making the sounds that make it up take center stage and become vital for the person listening. Only in this way does it become a way of holding on to the world; of remaining in it.

Given this premise, Glory Hole touch lIntimate, painful and suffocating spaces of the human being to capture them in his first recording material: Gloria, The Rehabilitation Center. An essence that connected with people from different places and cultures, in order to give an account of daily life.

“I didn't really realize what was happening, it was a kind of rehabilitation for me. Being our first studio production, we feel it as our presentation to society, we believe that the sound of this album reflects the years of career in various projects, in which genres are explored in an electric way and without a gram of respect for music,” said the group.

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Under the production of Gloria Russi, Maria Alegria and Efrencito Jr. AKA LOOM PENThe project appeals to the notion of relief and healing to find our own inner light, where poetry, screams and dance music create a living metaphor for everyday life.

Across 12 tracks, the album Gloria, The Rehabilitation Center guides us on a journeyThis is the homemade and crunchy sounds of experimental music thatand lies in the heartbreaking questions of the soul. A cycle that ordered from the darkest to the brightest of the journey, starting with the theme of the same album and ending with “It has nothing”.

All the songs are based on the homonymous poetry collection by Gloria Russi, the project's vocalist. The lyrics address topics such as suicide, the ongoing struggle with oneself, police brutality, substance abuse and the search for rehabilitation. Writing was a way for me to say what was on my mind,” said Gloria Hole.

Despite the ups and downs, the album does not only seek to hit rock bottom, as part of its essence lies in the typical internal navigations that we harbor in our minds, and that only seek to heal and move forward. The only thing left, according to Glory Holeis “to know each other and be happy.”

“The process of the album was to describe things that we were capable of doing and that we didn't think we could do, it was a liberating moment and with many changes in life. We all went through different stages (…) When we saw each other, we connected from the wound, but not to slap each other, but to take refuge among the three of us and say that everything will be fine. We just want to play and be happy,” they highlighted.

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Minutes before 6:00 p.m., Glory Hole is coming to an end and tells us his feelings regarding his debut on stage. “Right now we are organizing a tour not so far away, the album presentation will be on November 29th in the best venue on the entire street of Zacatecas, see you there,” he said as a farewell to Indie Rocks!

Staff

Written by

Christopher Johnson

Christopher Johnson is a dedicated writer and key contributor to the WECB website, Emerson College's student-run radio station. Passionate about music, radio communication, and journalism, Christopher pursues his craft with a blend of meticulous research and creative flair. His writings on the site cover an array of subjects, from music reviews and artist interviews to event updates and industry news. As an active member of the Emerson College community, Christopher is not only a writer but also an advocate for student involvement, using his work to foster increased engagement and enthusiasm within the school's radio and broadcasting culture. Through his consistent and high-quality outputs, Christopher Johnson helps shape the voice and identity of WECB, truly embodying its motto of being an inclusive, diverse, and enthusiastic music community.